![]() This is that movie.īam! Those three sentences couldn’t frame or sell Lightyear any better, putting all false sequel doubts and cash-grab naysayers to rest. In 1995, Andy got a toy for his birthday. Swapping pixels of a manufactured plastic for richer digital sinew, heart, and guts, the intent behind this Lightyear is presented up front in one of the simplest and most effective uses of pre-credit text in this or any world: From the surface, Lightyear was initially marketed as a vague origin story that did not seem to fit where this character and world began or where small-screen cartoon spin-offs took him since. The same division can be pressed against the external event itself. He is his own man, not a packaged program of settings and market research. ![]() This beefier Buzz Lightyear may still be narrating to himself, but his talk expresses strong emotions and virtuous desires more than push-button quips. Within the movie, we are granted a dramatic hero truer than the memorable action figure caricature we have come to cherish playing alongside other toys. There is a tremendous dichotomy of thought and talk amid Pixar’s Lightyear.
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